Betrayal, however, is devastating because it disrupts an ongoing, meaningful relationship in which partners have invested material and emotional resources. Similarly, Jones, Couch and Scott (1997) argued that rejection and betrayal are the two basic risks people take in close relationships, but that betrayal is worse than rejection.
![]() Betrayal by Harold Pinter : Harold Pinter : Free Download, Borrow, and Streaming : Internet ArchiveNow that the initial excitement about the daring time-reversal of its plot has settled down, the artistic contours of the work can be seen more clearly: the supremacy of its abstract shape over its narrative content, its position on the relevance of time to memory, its dispassionate, ironic tone, and its deliberate avoidance of a moral stance. The chronological reversal is instrumental to this general shake-up of the dramatic form and style. In this paper, I will analyze the play as an experiment in abstraction, a presentation of human relationships in terms of game sequences, and a post-modern, aesthetic and ironic treatment of what used to belong to religion and ethics. The omission of the article indicates that the topic is the idea of betrayal, its generalized or abstracted structure, and not the story of one particular instance of betrayal. Even such a basic analysis of the title already directs our attention to the relation between the style of the play and modern trends in art, such as abstract and conceptual painting. Although the development of the events and the dialogue is highly naturalistic, the subordination of the various plot elements to a governing abstract idea and its expression as pure form may be seen as moving towards abstraction and conceptualization.
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Published 07.08.2019
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He cleaned the gutters of the English language, so that it ever afterwards flowed more easily and more cleanly. We can also say that over his work and over his person hovers a sort of leonine, predatory spirit which is all the more powerful for being held under in a rigid discipline of form, or in a black suit The essence of his singular appeal is that you sit down to every play he writes in certain expectation of the unexpected. In sum, this tribute from one writer to another: you never know what the hell's coming next. Plays by Harold Pinter. All plays and sketches are in chronological order. The Room
Pinter's narrative method takes 'what's next? How did these people cope with the lies, the evasions, the sudden dangers, panic and the contradictory feelings behind their own deftly engineered masks? Audio Preview
Teaser: BETRAYAL by Harold Pinter at Capital Stage
Betrayal is a play written by Harold Pinter in Critically regarded as one of the English playwright's major dramatic works , it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and self- deceptions. Inspired by Pinter's clandestine extramarital affair with BBC Television presenter Joan Bakewell , which spanned seven years, from to , [2] the plot of Betrayal integrates different permutations of betrayal relating to a seven-year affair involving a married couple, Emma and Robert, and Robert's 'close friend' Jerry, who is also married, to a woman named Judith. For five years Jerry and Emma carry on their affair without Robert's knowledge, both cuckolding Robert and betraying Judith, until Emma, without telling Jerry she has done so, admits her infidelity to Robert in effect, betraying Jerry , although she continues their affair. In , four years after exposing the affair in and two years after their subsequent break up in , Emma meets Jerry to tell him that her marriage to Robert is over. She then lies to Jerry in telling him that, 'last night', she had to reveal the truth to Robert and that he now knows of the affair.
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